We Have Seen The "friends Of The Performance," But This Time It Is A Good
"Friends with benefits" makes the most of the chemistry between the two stars cute. The result is watchable, sometimes funny and sometimes romantic comedy honest, despite the lack of real plot.
Justin Timberlake, who uses his knowledge of music with performances that suggest safety, development as a performer all around talent, after a showy supporting role in "The Social Network".
He plays Dylan, a magazine designer who comes from Los Angeles to take a job at GQ Magazine in New York. Although he speaks quickly, it is clear that it is extremely vulnerable when it comes to relationships.
Mila Kunis, who broke with the "Black Swan", but does not support some of the Oscar nomination he predicted, will rise spunky, brash, and doe-eyed woman named Jamie, who is brave Taking Chances.
The film begins with Dylan and Jamie break others. His ex, of course, is the star of this year in small groups, Emma Stone (which comes in two films: "Crazy Love, stupid" and "Help").
Dylan is "emotionally distant", while Jamie is "emotionally devastated." They are naturally motivated to not be involved.
As a compromise, they plan to have sex but no relationship. Sex, they decide will be no more than a tennis match.
Everyone knows that will not work, especially people who have seen "No Strings Attached" or "When Harry Met Sally."
This R-rated concept is nothing new in movies, but "Friends with benefits" is much better than "No Strings Attached," which used the sexual position which is more than a gimmick earlier this years. Although very frank sex scenes in "Friends" used to illuminate the characters instead of just playing the decoration move.
"Friends" is irritating to the ability to make fun of the cliches of the genre much to promote. Commenting on the film, the romantic comedy films are stupid to use their music to tell the public how and what feels good. This is a movie within a fake movie cliches punished.
Quite a good sturdy with Patricia Clarkson Jamie an irresponsible mother, who enjoys in what was the Wild 70s - younger audience today probably will not believe. (If only they knew).
Richard Jenkins is both touching and funny as the father of Dylan, which is tragic, but with courage, the fight against Alzheimer's disease. There is no sadness here. Just reality.
Jenna Elfman is the sister of Dylan, Woody Harrelson and scores some laughs as the desktop companion is bigger than gay aggressive and frank about their choice. Real life snowboarder Shaun White has a joke in which Dylan appears to threaten.
Pace is so fast that we do not have time to mourn the bad lines, which would have been futile anyway, because we have learned that everyone knows more than what they say.
The film dares to admit that such an agreement as Lark, a man of a woman, even though Jamie is smarter than Dylan. Friends are more likely to survive this noncommitment, and the film shows that. In most movies these days, obsessed with feminism, or rather the fear that is extraordinarily honest attitude.
"Friends" is to be commended because it does not end with someone running to prevent others from leaving the plane - or a bus or train or camel caravan. That in itself is refreshing.
The film strives to find an ending without being corny, but, of course, we know what the results even before entering the theater, while the end is more or less a necessity to be tolerated.
"Friends with benefits" are smarter than you expect. Most of all, it's a showcase for two new stars, notice they can handle this kind and is ready for others.
Justin Timberlake, who uses his knowledge of music with performances that suggest safety, development as a performer all around talent, after a showy supporting role in "The Social Network".
He plays Dylan, a magazine designer who comes from Los Angeles to take a job at GQ Magazine in New York. Although he speaks quickly, it is clear that it is extremely vulnerable when it comes to relationships.
Mila Kunis, who broke with the "Black Swan", but does not support some of the Oscar nomination he predicted, will rise spunky, brash, and doe-eyed woman named Jamie, who is brave Taking Chances.
The film begins with Dylan and Jamie break others. His ex, of course, is the star of this year in small groups, Emma Stone (which comes in two films: "Crazy Love, stupid" and "Help").
Dylan is "emotionally distant", while Jamie is "emotionally devastated." They are naturally motivated to not be involved.
As a compromise, they plan to have sex but no relationship. Sex, they decide will be no more than a tennis match.
Everyone knows that will not work, especially people who have seen "No Strings Attached" or "When Harry Met Sally."
This R-rated concept is nothing new in movies, but "Friends with benefits" is much better than "No Strings Attached," which used the sexual position which is more than a gimmick earlier this years. Although very frank sex scenes in "Friends" used to illuminate the characters instead of just playing the decoration move.
"Friends" is irritating to the ability to make fun of the cliches of the genre much to promote. Commenting on the film, the romantic comedy films are stupid to use their music to tell the public how and what feels good. This is a movie within a fake movie cliches punished.
Quite a good sturdy with Patricia Clarkson Jamie an irresponsible mother, who enjoys in what was the Wild 70s - younger audience today probably will not believe. (If only they knew).
Richard Jenkins is both touching and funny as the father of Dylan, which is tragic, but with courage, the fight against Alzheimer's disease. There is no sadness here. Just reality.
Jenna Elfman is the sister of Dylan, Woody Harrelson and scores some laughs as the desktop companion is bigger than gay aggressive and frank about their choice. Real life snowboarder Shaun White has a joke in which Dylan appears to threaten.
Pace is so fast that we do not have time to mourn the bad lines, which would have been futile anyway, because we have learned that everyone knows more than what they say.
The film dares to admit that such an agreement as Lark, a man of a woman, even though Jamie is smarter than Dylan. Friends are more likely to survive this noncommitment, and the film shows that. In most movies these days, obsessed with feminism, or rather the fear that is extraordinarily honest attitude.
"Friends" is to be commended because it does not end with someone running to prevent others from leaving the plane - or a bus or train or camel caravan. That in itself is refreshing.
The film strives to find an ending without being corny, but, of course, we know what the results even before entering the theater, while the end is more or less a necessity to be tolerated.
"Friends with benefits" are smarter than you expect. Most of all, it's a showcase for two new stars, notice they can handle this kind and is ready for others.