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Sunday, June 26, 2011

Timothy Hutton Becomes More "leverage"


Timothy Hutton Becomes More "leverage"
Enjoy tonight's return of the fourth season of TNT - and stars Oscar winner Timothy Hutton returned to the Digital Airwaves talk about what the show has become and what is happening. Here are his views on the first season of shooting night (mild spoilers!) And his favorite moments of past damage.

Where is Nate coming in the fourth season? We left in a very interesting ...

Timothy Hutton: Well, every season we started, it was interesting and challenging approach to Nate and see where we left off last time we saw it. This year it is particularly rich with different kinds of opportunities because of the way we left and Sophie. Much of what is happening in this season has to do with Nate and Sophie try to find their place in each others' lives.

Then, of course, there will be examined in more detail Nate, his drinking and how it works - and there is actually less of it. The fourth season is much more Nate on a mission to be clear of mind and not let his team down [or] become dangerous, and put his team in danger. He suddenly a problem not only for his drink. He definitely has to do with it. But I think this year we can see that he begins to understand how it affects his life. He's definitely opportunities to get along and in contact with him as an influence on a daily basis at the moment. It 'a positive and forward looking that I think Nate is a part of his recovery.

The good character is that there are not many limits. It began in a grave situation that has been a lot of fun to play because there are many possibilities. It's a pretty unpredictable, with many defects.

Can you tell us about the filming of the first season? Its panoramic position is very different from any other background leverage.

It 'was amazing. You know, all appeared in different places in Portland, Oregon. Christian Kane and Gina Bellman came to Nashville in London. I arrived in New York via Paris. And Dean Devlin, Beth [Riesgraf], Aldis [Hodge] and writers [were] in Los Angeles.

We all need to Portland and the Dean announced that we were all going up to film the first episode on Mount Hood, which is about an hour from Portland, and it was pretty amazing to be up there for a blizzard.We were all very excited. We knew there was a possibility of a snow storm coming and know Dean, we thought, "Well it will not stop it." And we all had a blast in the heavy fighting between snowball we managed to get some shooting in.

Is there any chance that we're now four years we could see some of the disadvantages to see what had happened to some of the people who helped the team?

There is talk of revising some of the people - some victims, but there is much talk of revisiting some of the wicked. Having a plot in which some of the bad guys decided to unite and form their own kind of super team to gain an advantage against the team because they feel they were actually injured. There has been talk of bringing some of the really bad guys [and] Victor Dubenich [that] was the driver, played by Saul Rubinek and Richard Kind has been a corrupt mayor, Griffin Dunne played a man against, [and] Wil Wheaton - and if we talk about having a "Best episode of the bad."

Do you have a favorite series episode yet?

I love them all. It is difficult to choose. I love an episode where Nate will play a role in the con. Play different characters as a kind of odious lawyer and stuff. I like the season finale in the first year, "The First Job David" and "second job David." And then the second year, I liked the last episode, the one on the freighter, Nate words, he said, "My name is Nate Ford and I am a thief." Last year we had fun together.

And we have some big and we're shooting right now. The first is Eric Stoltz, and then shortly after, one of the early episodes of season, we have Danny Glover. This episode is quite an extraordinary lost painting by Van Gogh that he and only he knows where it could be. He does not trust anyone, and we can get to tell the story of how he came across this painting. And when he tells a story is a flashback, and leverage all the characters become characters who have discussed. I think the scripts this year are better than ever. They are simply amazing.